11. Dunkirk (2017)
Warner Bros. Pictures/Everett Collection
Almost all of Nolan’s movies bend time, whether through non-chronological editing, actual time-travel devices, or the occasional “Wait, how much time just passed?” elision. Though it creates zero temporal pincer movements, Dunkirk is one of his headiest time-trips, following a World War II troop evacuation from three cross-cut perspectives: characters in land, sea, and air. The unusual trick is that these three stories, though afforded similar amounts of screen time, cover different spans of action. The land evacuation takes place over one week, the sea material takes place over one day, and the air mission happens in a single hour. It’s like Inception’s dream-layered climax recreated in real life. On a purely practical level, the movie can be a little hard to follow, because it features a bunch of pasty, largely uniformed English guys running, sailing, and flying around in great numbers, depending on action far more than dialogue or characterization. Even more so than many of Nolan’s visually spectacular films, Dunkirk is best seen in a format that’s vanishingly difficult to actually attain: full 70mm film IMAX, which is available at all of about 20 U.S. locations. That’s why, terrifically visceral as it is, the movie doesn’t rate higher here; its full immersive effect (still occasionally imitated in films as diverse in style as 1917 and Warfare) can’t be reproduced in your living room, no matter how big your TV is.
10. Insomnia (2002)
First Run Features/Everett Collection